COLORS 85: Going to Market – A Survival Guide
COLORS 85: Going to Market – A Survival Guide
COLORS 85: Going to Market – A Survival Guide
COLORS 85: Going to Market – A Survival Guide
COLORS 85: Going to Market – A Survival Guide
COLORS 85: Going to Market – A Survival Guide
COLORS 85: Going to Market – A Survival Guide
COLORS 85: Going to Market – A Survival Guide
COLORS 85: Going to Market – A Survival Guide
COLORS 85: Going to Market – A Survival Guide
COLORS 85: Going to Market – A Survival Guide
COLORS 85: Going to Market – A Survival Guide
COLORS 85: Going to Market – A Survival Guide
COLORS 85: Going to Market – A Survival Guide
COLORS 85: Going to Market – A Survival Guide
COLORS 85: Going to Market – A Survival Guide
COLORS 85: Going to Market – A Survival Guide
COLORS 85: Going to Market – A Survival Guide

A bursting bubble, tumbling stocks, bears, bulls and futures for sale. Modern markets are obscure, unpredictable and dangerous places. But they also dictate whether you have access to necessities like toilet paper and water, whether your job will still exist tomorrow and whether you can buy a cup of Columbian light roast on your morning commute or not. To get what you want, you have to navigate the flow of trade and exchange. Sell what you have – your labor, your possessions, your first-born child – and buy what you can. Everyone does it. So how do you? Which markets are you a part of? What are you buying? What are you selling? And at what price?


Specifications:

ISSN (Australia/New Zealand/UK Edition): 2227-2992
ISSN (Hong Kong/Taiwan/China Edition): 2227-2984
Size: 228mm(w) x 287mm(h)
Pages: 136 pages

COLORS 85: Going to Market

COLORS 85: Going to Market

COLORS 85: Going to Market

COLORS 85: Going to Market

COLORS 85: Going to Market

COLORS 85: Going to Market

COLORS 85: Going to Market

COLORS 85: Going to Market

COLORS 85: Going to Market

COLORS 85: Going to Market

COLORS 85: Going to Market

COLORS 85: Going to Market

COLORS 85: Going to Market

COLORS 85: Going to Market

COLORS 85: Going to Market

COLORS 85: Going to Market

COLORS 85: Going to Market

COLORS 85: Going to Market

COLORS 85: Going to Market

COLORS 85: Going to Market


About COLORS

COLORS is a magazine about the rest of the world; distributed quarterly in more than 40 countries worldwide. COLORS is a timeless collectable magazine for multiple readers. It is a magazine that celebrates diversity and racial harmony. Since its first appearance in 1991, COLORS has reinvented journalism.

Stating from #83, IdN is co-publishing COLORS with Fabrica, launching an English/Chinese bilangual edition for Hong Kong, China & Taiwan; as well as an English/Italian edition for Australia, New Zealand & UK!

Tetsuya Toshima – Liberated Mind (3:38)

Tetsuya Toshima – Liberated Mind (3:38)

This is a film essay which captures a piece of the liberation and erosive moment.

Maser – Dublin, Ireland

Maser – Dublin, Ireland

“I have a system. I only use 10 colours: five base colours (yellow, white, blue, pink, mint), then five stripe colors (black, navy, red, orange, magenta). From playing around with this palette, I have come up with more than 25 colour combinations that I frequently use.”

Bichos Da Ceda – Porto, Portugal

Bichos Da Ceda – Porto, Portugal

“The best part of doing things like this is working with a lot of people, something that’s important as a way of producing things. You may not use print-making, but new solutions to print mean doing it with other people.”

Malevo – Guillermo Daldovo – VILLA (1:00)

Malevo – Guillermo Daldovo – VILLA (1:00)

Visual identity video for REYKJAVIK VISUAL MUSIC PUNTOy RAYA FESTIVAL 2014.

Scheltens & Abbenes – New Website – Amsterdam, The Netherlands

Scheltens & Abbenes – New Website – Amsterdam, The Netherlands

Design by Bas Koopman and coded by Thijs Gadiot and Martijn Eerens, please checkout the brand-new website of photographer/artist Scheltens & Abbenes. Maurice Scheltens and Liesbeth Abbenes are the sum total of a still-life photographer and the creative craftsmanship of an artist. Technical perfection added to individual handicraft, strong pictorial clarity in addition to tailor-made settings. They experiment with converting spatial dimensions into flat surfaces and explore intensively photography’s potential for creating illusion. Essential to their work is the laboratory process in the studio where they construct their settings with an attitude of conceptualization and solution-led thinking, regardless of whether they are editing or tackling commissioned or independent artistic work.

ATYP Studio – Tide (3:12)

ATYP Studio – Tide (3:12)

A visual study of repetitive tidal patterns and their relationship with time. Inspired by the seaside location of the Atyp studio in Brighton, the video can be looped indefinitely.

Fernando Lazzari – The Road (0:45)

Fernando Lazzari – The Road (0:45)

Exclusive clip made for IdN.

FutureDeluxe – Collision Trailer (0:55)

FutureDeluxe – Collision Trailer (0:55)

A FutureDeluxe Film – Coming Soon

Anagrama – Monterrey, México

Anagrama – Monterrey, México

“It’s important to decide on a colour palette that can stand through time, it must never feel as if it’s outdated and it must survive through new trends. The colours chosen for a brand identity don’t necessarily have to appear on every piece; it’s important to choose where the colours will be applied.”

The Patternbase – Kristi O’Meara, Audrey Victoria Keiffer – Chicago, USA

The Patternbase – Kristi O’Meara, Audrey Victoria Keiffer – Chicago, USA

“I feel as if what a lot of artists are doing is DIY. Be your own boss – we are really part of that movement. It’s all about finding people that have something to contribute to the bigger picture.”