IdN™ Creators®

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Neasden Control Centre

London, UK

“Colour is subjective, so if it is to work then it should resonate with the viewer in a way that is relevant to them.”

Dan McPharlin

Adelaide, Australia

“Colours are like musical notes. There is harmony and there is discord, and both can be valid.”

Option-G

Los Angeles, USA

"Often someone will want to take a gig poster and put it up on their wall. I think that’s one thing that makes gig-poster design different from other design work."

Karma

Hilversum, The Netherlands

“I don’t know many creatives who talk about the work they’ve made. They’re always talking about the work they’re gonna make tomorrow.”

The Bubble Process

New York/Ohio, USA

"I think that the link between music and art has always been extremely strong and continues to gain momentum."

Joost van Bleiswijk

Eindhoven, The Netherlands

“The nice thing about Dutch design is that we do not try to please everyone.”

Autobahn

Utrecht, The Netherlands

“The nice thing about experimenting is the uncertainty of it all — you will never the know what the the outcome might have been if you don’t give it a go in the first place.”

Tomi and Cherry

Buenos Aires, Argentina

“Visually speaking, colour means endless possibilities.”

Tomer Hanuka

New York, USA

“I try hard not to approach a project with a set palette and force it on a drawing – that would be a design exercise and I’m not interested in that.”

Kustaa Saksi

Amsterdam, The Netherlands

“I think it’s interesting to do a variety of projects and yet still retain a pretty recognisable style.”

HouseOfBurvo

UK

“I find when I work without colours in front of me I don’t have that freedom to make mistakes or accidentally come across a colour scheme.”

Warren du Preez & Nick Thornton-Jones

London, UK

“Light shapes and forms everything, and the evolution of it has pushed the realms of the arts.”

Novak Grafisch Ontwerp

Amsterdam, The Netherlands

“We just wanted to make designs that felt right to us and, of course, to those who commissioned us.”

Mark McCormick

New York, USA

“Most of my art thus far, no matter who it is intended for, seems to always have a grim feeling of horror and doom. It’s what resonates strongest with me.”

Hans Gremmen

Amsterdam, The Netherlands

“I try to do work that does not follow a certain zeitgeist. It should be timeless.”

Methane Studios

Ohio, USA

“I like the idea that these (gig) posters might be around for a very long time when everything else we have created has long vanished.”

Furi Furi Company

Tokyo, Japan

In Japanese, “Furi Furi” means “shaking, swinging”—and this Tokyo design team certainly shakes up some swinging pop fun in all media.

DolceQ

Rome, Italy

Sweet, soft, and sexy, Rome’s creative duo DolceQ truly knows about la dolce vita.

Dale Jones-Evans Architecture

Sydney, Australia

A key player in the development of Australian architecture since 1984, Jones-Evans is still pushing the limits of structure and environment.

Creative Time

New York, USA

If the term “public art” has lost its meaning, Creative Time is finding it, over and over again—the endless search and discovery.

Florentijn Hofman

Rotterdam, The Netherlands

“Bringing the world’s biggest zeppelin for my art project Zirkus Zeppelin to the Netherlands and landing in this huge object and seeing the crowd standing waiting and wondering was a great thrill.”

Büro North

Melbourne, Australia

Play + creativity + pragmatism + rationality = visionary design. At least according to Büro North.

Andrew Townsend

London, UK

Who said poetry and graphic design don’t mix?

Is Not Magazine

Melbourne, Australia

“There is a slow wit and humour possible in publication design, kind of like the ‘slow food’ of design.”

AIRSIDE

London, UK

Enjoyment and passion—not to mention a bit of rock’n’roll—are pre-requisites for Airside’s work.

Kit Grover

London, UK

Kit have produced hundreds of products for the world’s most prestigious institutions.

Mark Jenkins

Washington DC, USA